Art for Another

If you are thinking about becoming a graphic designer or are currently in school getting your degree, there is one element of your future career that you should take into careful consideration. You must be willing to accept that what you create, whether a brochure or logo, advertisement or Web site, will inevitably be your client’s marketing piece.

It may sound simple, but the reality that comes with pleasing your client sometimes comes at the expense of your better design judgement. In some cases they love what you do and how you do it, but there are plenty of times when the final product will be something you may hate and be less than eager to let others know you created. The bottom line is you do not have to love it but your client must, because it will be representing them.

Try your best to persuade them to take a certain direction. Sadly not everyone has good taste or understands that when hiring a graphic designer they are not simply hiring technical support. They are hiring a professional with artistic talent, a degree and experience. Ideally the client should put their trust in the designer’s hands knowing we want to make the best design for their company.

It is likely you will at some point come across a situation where a client becomes too specific with their edits, such as, “Can you make this blue, move that over there, I’d like the logo bigger, and please change the font to…” Beware of the client who literally lays out what they want; the decline to “Technical Support” is a slippery slope. My advice when showing a design proof to a client is to make sure that you to tell them when they describe their thoughts about the work to use more general language such as, “It seems too busy to me,” or, “Can we make it more eye popping?” That way you can interpret the changes in style while still managing to keep the design professional.

If you cannot take the criticism that comes with such clients, I would suggest re-evaluating your career choice. However, if you understand and accept the fact that your astute design sense cannot please all of the people all of the time, and even feel joy when a client is so happy with what you created they are beaming with pride to show it to the world despite your better judgement, you’ll be okay. If you are lucky, there will be some clients like this whom you’ll be able to fire, but keep in mind that every job comes with both the good and the bad.

In graphic design you’ll make money, but often you do not have the option to choose for whom you create. I’ve done work for a gas monitoring systems company, sound fun? No, but I made it look engaging and I am proud of the outcome.

Bottom line, you do have to please your client, but there is no law that states you must put the work you did for them in your portfolio.

Integrating Your Design Skills into a Job Where They’re Not Required

You’ve just graduated, and while you are still out searching for the perfect entry level design position for yourself you still need to make money, so you take a job that does not necessarily include design in the job description.

It’s not uncommon, and some may worry that in the interim their design skills may get a tad rusty. Never fear! In addition to freelancing, there are additional steps you can take to incorporate design into your boring, and hopefully temporary, day job.

I will use myself as an example. Within a few weeks of graduation from college I landed a job at a reputable, mid-sized Chicago business. My job description included supporting the Human Resources Manager, the Firm Administrator, and the Marketing Director (the main reason I took the position), in addition to occasional receptionist duties. No design skills required. Not a designer’s dream job, by any means, but gradually I found ways to work my abilities into the job.

When I left the position after a year and a half with them, they had completely revamped the job description to include design as a requirement for employment consideration and had significantly increasedthe salary based on that new requisite. I had filled a void in their marketing department that they had not previously realized they had before I started! Below I will outline some of the most basic steps I took to incorporate design into my seemingly lackluster day job.

Propose small changes that will make a big impact on your company’s bottom line

Initially, the way I got started doing design work for them was because my Marketing Director was complaining about the high cost of obtaining head shots of our employees for use on the Web and in print. I mentioned to her that because I knew how to use Adobe Photoshop we could take the head shots in-house with our digital camera and I could edit them to include a photographic backdrop (which we did not have at our immediate disposal) and the appropriate lighting. I put together a proposal encouraging the firm to get the Adobe program for my computer and emphasized that the cost of purchasing the program would be recouped after I had edited only three headshots. Including the cost-benefit analysis in my pitch was a key component in getting final approval to move forward. During my time with that firm I saved them over $6,000, just from doing 27 head shots myself.

Use company events to hone your skills

Does the business you work for host Holiday Parties? Staff Appreciation events? Fundraisers? Approach the person in charge of planning these events and ask if they could use help designing invitations and signage, even gift tags or other novelty items. If they don’t have a huge design budget but would like something sleek and eye-catching, you are going to save them a lot of money. Plus, you will have some great new material for your portfolio (though make sure to ask for them for permission to use it for promotional purposes if it contains their logo, or other trademarked or copyrighted information).

Taking the next step

After a few months of working with head shots and internal events, my bosses gained confidence in my ability to produce high quality work, and opportunities to design ads for publication, both local and national, began making it onto my desk. It was incredibly exciting for me to be given these chances, and it all stemmed from my initial mention of the fact that I was capable of editing photos.

By the end of my time there the firm had published two national, full-page ads that I had designed, and multiple smaller ads. In addition, a third full-page ad that had been farmed out to a major design company due to time constraints, ended up using a concept that I’d developed for the business I worked for because they could not come up with anything more pleasing to my company (how’s that for a compliment?).

A word of caution: Do not expect to be paid extra for doing these projects, but do keep track of how much you have saved the company. Hard facts in black & white can be very helpful when asking for a larger than average raise come review time! They cannot lose if they give you a raise that is still less than what they would have paid to farm out all of that design work.

Determining the cost savings you have provided

One way to calculate savings, if you are really lucky and the business you are working for has previously utilized design services, is to research old invoices and find out what they have previously been charged for similar services and keep a running tally.

If, however, you are not so lucky, one of the best ways to determine savings is by calculating based on an hourly rate. Average design rates, depending on your location and experience, can range from $35 to $150 an hour. Because you are just starting out, and because you are not actually charging for these services it is best to be conservative and calculate savings on the lower end of that range. For the most basic of savings estimates you’ll want to calculate the total hours you worked on each project, including design, concept development, communication, and revisions and multiply that by your hourly rate.

The final way I would suggest estimating savings is internet research. Many design businesses will post their base design rates for specific jobs on their Web sites. I recommend using this method in conjunction with your hourly rate calculation to provide a range of possible savings. For example, if you design a logo at a rate of $35 an hour for 5 hours your final cost/savings calculation would be $175. After researching online, you might find that many designers charge $250 for the same service. Having this knowledge allows you to keep track of the savings in your records as a range, somewhere between $175 and $250, which some employers may feel gives a fuller view of fluctuations in service fees, etc.

Quick review

  • Find little things to improve that will make a big impact.
  • Take every opportunity presented to you.
  • Present ideas about areas in the business where you see room for design-related improvement.
  • Build your employers faith in your abilities.
  • Keep track of the savings you are providing.
  • Enjoy yourself!

An entrepreneurial spirit is almost always rewarded. Plus, you never know who else in your company might be admiring your work. You may just pick up an extra freelance gig or two.

Ordering Basic Print Jobs

Goodbye crappy ink jet printer. So long expensive print lab fees. Au revoir staying up until 2:00 am to complete your final design piece for class the next day. Goodbye slicing off the tip of your finger in the paper cutter while and your roommate tells you to “just put a band aid on it,” when it’s gushing blood… Sorry if I stirred up some memories there. I am sure you have a similar story and the battle wounds to prove it.

Now that you are a graduate with a degree, you are either working on a freelance gig or recently started your first job. Now you have to work within a print budget. It’s probably pretty small, unless you are really lucky and your client has given you a nice chunk of change. Either way, for the first time you are designing a piece that will be mass produced, with perhaps hundreds, even thousands printed. You have options, use them.

Ordering a Print Job
The first step is to make sure you know how to order a print job. Don’t be shy, ask the printer questions. They are usually more than willing to help and give advice. Ask them what type of file to send, typically an EPS or PDF file. I normally outline the fonts into shapes when working in illustrator to keep things simple. (Select All Open Apple + Shift + O)

Here is a basic outline of what information to submit to a printer when requesting a quote

Project Type:
Dimensions:
Quantity:
Paper:
Ink:
Bleed:
Binding: (Optional)
Special Instructions:

Here is an example:

Project Type: Letterhead
Dimensions: 8.5″ x 11″
Quantity: 1,000
Paper: Neenah Classic Laid Solar White 24lb
Ink: 2/0 Black & Pantone 151
Bleed: Full Bleed
Special Instructions: Letter “M” embossed in lower left hand corner.

Paper
If your office does not have a paper sample library already setup contact the paper companies we’ve listed on the site to get samples, or attend a paper show held by associations like the AIGA. Remember when working with papers there are different weights “T” is Text, a lighter weight paper good for letterheads. “C” for Cover, and is a heavier weight. Paper companies may vary on weight systems, so if you are confused by their system you best bet is to feel the papers to get a better idea of the weigh and find what you are looking for. If you are looking to save money ask the printer what paper stocks they carry in house.

Ink
2/0 What does that mean? Well it means two colors on the front and none on the back. 4/4 would be mean either full color CMYK or 4 pantone on each side. Full color, unless it is on a digital printer, can be pricey. Working with one or two colors on a high quality colored paper or texture can look high end for a lower cost.

Bleed
A bleed is when an image or letters run off the edge of the page. If you have a bleed on one, two or all sides, you should mention it to your printer because it affects the cost. The printer has to print the design on a larger size paper and trim down to the edge to have a bleed. If you have a bleed on a design make sure the final file you send the printer includes an extra .25 inch of the image around the document.

Special Instructions
Special Instructions can be anything from embossing to spot gloss or a dye cut. If you have the budget and it works with the design go for it.

In conclusion, you no longer have to print your own work or slice off pieces of your finger. You have a chance to play and explore textures, colors, bindings, and more. Be creative. Don’t be afraid to try. There is more to life than plain white paper.